Sunday, September 19, 2004

DJ Eighties. (part four)

The video started up beside the turn tables, Showing DJ Qbert spinning and scratching to crowded stadiums, signing women's breasts, guy's heads, crazy dancers. ok ok this is good this is VERY promising. I can officially say he is NOT DJ Eighties. He has a custom made turn-table called the QFO. Alright this is cool. The video made him look like a Hip-hop uber-DJ, lord of the surrounding realms, commander of thousands in a hip-hop crusade to re-make the world in a hipper hopper image. I like that. And he seemed unassuming in demeanor, he's all skills, no macho. I like that too.

The crowd was getting pumped up
'Mix Master Mike is in the House! y'all!' The crowd freaks out, screaming and jumping up and down.

'really?'
'wow, that's cool.'
'totally!'

This made me happy, the good news was pouring in. Praise God I've heard the good news! Redemption is on it's way.

'Jamie?'
'yup?
'I have the feeling I'm going to meet someone tonight?'
'yeah?'
'yeah. I don't know why?
'here's hoping, cheers.'

I don't know why I thought that. But I did. every once in a while you get that feeling. It's always bang on. I'm sure there's a non-flakey assed reason for this, but I'm happy either way.

The place was packed. the crowded dance floor was screaming and pulsing, arms in the air, the lights were flashing and spinning and the music was pumping and rumbling.

'DEE JAY QUE BERRRRT!"

The crowd goes nuts, people are jumping and screaming, freaking out like Jesus just stepped out on stage in on a Pentacostal Sunday.

He goes straight to the turn-table and gets to it.

My prayers were answered. He was incredible. Most of the time you look around and people would just be shaking there heads in incredulity. I had never seen anything like it. There were three video camera's on him at all times and a bunch of guys taking pictures. They projected closed-circuit live video on the screen and at thirty frames a second his hands were a blur, his fingers hardly even registered. This went on for about an hour. The audience was agape, astounded, he was doing like 128th notes in the slow parts. It was nuts.

The whole thing was like a hip-hop circus no lie...'and now DJ Qbert will scratch, without... touching... the fader.'

The crowd awes and silences. I can almost hear the drum-roll in my head. The concentration in his eyes, the sweat dripping down his face, and he attacks. It sounds much like it did before, very cool, very fast. maybe it would have been cooler if I new what the fuck the fader was for. Nonetheless, I clapped, I jumped, I cheered and got carried away with the crowd. That's the point and the end of the day, it's a rock show. After about 20 minutes of that:

'now DEE JAY QUE BURRRRRRRY with battle DEEEE JAAY EYE DEE in a turn-table war... right... in front... of your eyes.'

So it is written, so it is done. They scrit-i-scra-scri-scra-scritity-tit-tit-titit-scratchity-cra-scra-scratched against each other for a bit, it was very cool. But by this point I got my money's worth and my body reminded me I had to pee, and my empty beer bottle reminded me I needed another, so I made the oft repeated bathroom sojourn. On my way I looked at the entrance.

'Kevin!'
Kevin spins quickly 'Hey Buddy! Is it worth all this cash?'
'It's really good you missed most of it though. Look, I gotta piss, I'll catch up with you in a bit.'

I headed to the can, got another beer and returned to the crew. After the encore, the Jamie turned to me,
'shit man, I gotta go, my drive is leaving'
'cool, gimme a call later.'
'sounds good later man.'
'cya'

I took his chair and sat staring at the emptying stage with a satisfied grin. Ulo turned to me,
'I gotta go too, tired.'
'cool man I'll just finish this then head home.'
'ok'
'later m'man
'it kicked ass'
'it sure did.'
'cya'

I hadn't taken more then one sip of my beer when Kevin appeared.
'Hey man your a hard guy to track down.'

In my victorious bliss I had complete misplaced my conversation at the door.

(to be continued)


Today's Song of the Day is "Doo Wop (That Thing) by Lauryn Hill off her 1998 album "The Miseducation of Lauryn Hill."

Crazy Fact: At the February 1999 Grammy awards Lauryn Hill took home five trophies from her 11 nominations, including Album of the Year, Best New Artist, Best Female R&B Vocal Performance, Best R&B Song, and Best R&B Album; the most ever for a woman.

njoy

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